The 3 Most Powerful Reality Creation Techniques (No Meditation Required)

welcome to the reality revolution this

is your host Brian Scott and today I

want to discuss a very powerful lesson

if you listen to any of my lessons this

may be the most powerful three most

powerful steps to travel into another

parallel reality I'm not talking about a

little tiny change or used to receive a

letter in the mail I'm talking about

huge massive science-fiction level

changes in your reality I've been doing

a lot of work on this I've been studying

this and it kind of came together and I

wanted to discuss these three most

powerful steps guaranteed to move you

into radically incredible parallel

realities it's three simple steps but

there's some depth to it and once I

discuss it I you'll get a little better

feel for for these three steps and this

is evolved even over a conversation

online and they mean work put had a nice

note about the Joker and we started

discussing what was the power of acting

in creating realities and then that

funneled into and I said and I also had

a video recently about imagination with

Neville garter and so the question is

and the intention is how do we check how

do we move into a parallel reality

consciously quickly and easily what is

the most effective techniques that we

can use to move to a parallel reality

we're talking incredibly high-level

manifestation technique we are talking

about highly advanced law of attraction

reality Tran surfing these techniques

are completely consistent but I'm

telling you this is the secret if you

want to move into a parallel

the first is the best coach the best

coach that you can find to get in

learning how to shift into parallel

realities is an acting coach not not

some psychologist or some guru the the

coach that's going to allow you to move

into a parallel reality is going to be

somebody that's going to teach you how

to act this is similar to identity shift

there's some really good coaches out

there that are teaching identity

shifting Frederick Dotson and quasi Joe

here and the reason they're so effective

is is this particular principle

understand the thesis behind these three

steps is that there are infinite

parallel realities all around us for

every decision that we make

there is a multiverse of probabilities

there's either two possibilities but

they're one of the two is absolutely the

truth and one of them is that there is

just an information field that some call

the space of variations dr. Joe Dispenza

calls the quantum field and then in this

field carries the complete infinite

possibility of everything that can

happen for matter in a space in your

life in your life line and through

movement and everything and it's very

interesting to analyze check out a

recent episode where I narrated an audio

book on psycho Mansi which is what I'm

trying to get out as ways to read the

space of variations or the quantum field

to get information from and that is a

great book that was it's Harry's long

long wisdom from long ago on how to

check into the wisdom of this but just

getting the information is not enough in

my interview with the channel entity

Oprah I asked how you two and when we

move into another reality if I could get

information and they said no you can

only become

what you want you don't acquire the

information but but how do we find a way

to get the very best reality that you

can get in your life imagine all the

possibilities and it's nice that we can

shift into parallel realities but how do

we find a way to get into the very best

something that is really incredible and

and for it to really work and and be

successful not all talk what are the

techniques that we can use so there's

three things and three simple things

that you need to develop as a skill just

like somebody in the martial arts would

learn how to do a certain move or

technique to a precision in perfection

and in some martial arts it could be

just some several moves that are enough

to allow you to fend yourself and to

physically conduct yourself and so what

is it we can practice what is it we can

do in order to really create realities

now I want you to go and look at people

in the history of time and right now who

are the greatest manifest errs who are

the people that are manifesting

phenomenal realities world-shattering

incredible realities that are just

beyond anything you can imagine it's

creative people the creators are the

manifest errs and how much do you really


have you ever created a piece of art

done a sculpture sewed something created

a new way of cooking something planted

at the planting to meet is creativity

because you're planting a seed just

drawing a stick-figure is creating so on

top of that you need to be able to

create you need to have a mentality of

creation you also need to have a

mentality of becoming the reality that

you want living from the wish fulfilled

and the feeling and identifying with the

reality and once you live in the moment

now where you become the reality of what

you want which everybody says over and

over neville goddard abraham reality

tran surfing they're all saying that one

fundamental thing is what is in common

with all of them is that you have to

fear the feeling is the secret they all

say it a little bit different but you

need to be able to feel and identify

with the feeling of a reality that you

want and so how can you create feelings

and how can you use this process

well it's easier to say but then how do

you do it and look at what actors can do

you've seen phenomenal actors do

incredible things

and these actors oftentimes end up being

affected by their roles why is it that

actors be fall in love because they're

entering a reality or they are in love

with that person so of course they're

gonna fall in love with that person if

they're in a role why do actors when

they're in a movie together more often

than not end up together right look at

what's happened with actors such as Jim

Carrey after he played Andy Kaufman man

on the moon completely shifted his

reality 100% Heath Ledger when he played

the Joker probably never recovered and

so I did some research and so they're

the most accurate assessment acting-wise

is the Stanislav see technique and so

we're going to talk about acting

techniques that actors use to become

characters we don't need to become the

Joker we can become something positive

and empower that powerful and we need to

change the way our mind thinks and we

need to create we need to learn what is

inhibiting our creation and we need to

conduct simple exercises to develop our

creative ability because once we shift

into becoming a creator instead of a

reactor then you start to have control

and you can mold your reality as you go

and you start to become aware of how you

can create your realities on multiple

levels and the freedom and joy and faith

that this gives you this feedback loop

of seeing the results of this is so

amazing and so I want it for you and

I've kind of tried to hold back on some

of my teachings but these are the

techniques that have worked for me and

that I use

with my coaching clients that can help

you in to achieving incredible things so

let's begin and we're gonna first of all

talk about acting have you ever acted in

a play or acted in a certain way neville

goddard would say that everything is

States even the Bible every character is

a state that we become going through we

become a state of Abraham everything is

a state acting is going through states

of reality but there's a precision level

to it so the best I could find is method

acting which is the Stanislavski method

system there is a form of acting system

that is used that I think the techniques

they're using in these if you work on

these techniques you can become better

when you start to act and what you're

going to do is you're going to slowly

start to create a route create a reality

and this is a feedback loop all three of

these steps that you're gonna do are

going to slowly begin to create your

reality you're going to be doing all

three of them at the same time they're

not steps as in one two three there and

do these three things okay so what we're

doing on this first thing is I wanted to

give you some tips of what I read about

the Stanislavski tech system the

Stanislavski method is a quick guide to

the stanislavski's system basics

and what is Stennett what Stanislavski

method act and he was this acting

teacher born in 1863 and he was a

Russian actor and a theatre director and

his principles of directing and his

collective theories on acting very

influential in the late 19th century and

are still used there was the kind of the

beginning of us learning about this and

they even saw results back then where

they would do crazy roles and he had to

teach them how to shake off roles and so

part of this technique is learning to

shake off role if you have a role that

you're playing we need to learn how to

shake that role off but these do these

techniques were developed in the early

1900s and they've been used ever since

to help actors create believable

emotions and actions in the characters

that they portray so Stanislavski method

acting is basically seven steps these

techniques where developed to help

actors to build believable characters

and these are one who am I forget who

you are right now imagine the reality

you want to create and ask yourself the

question Who am I just like saying I am

you're asking the question Who am I so

the next question that an actor will ask

to become that character is where am I

because we're affects who you are and

they all building together so where are

you and the third question is when is it

so have an idea of a time and a

timestamp when is it and what is it that

you want is the fourth step what do you

want as this character the fifth step is

why why do you want this and ask as the

character not yourself because you are

say that you are a billionaire and you

ask yourself Who am I I'm a billion

where am i well I'm on the top story of

this building that I own it's a loft

that's beautiful

when is it it can be 2025 and what do I

want I want the freedom to be able to

live and do what I want when I want

where I want and why do you want it

that's the question like my answer is

this this will allow me to help more and

more people billions of people why not

why just why not help hundreds but why

not help billions the more resources I

have the more that I can expand my

spiritual knowledge and I can pay

service back with the knowledge that I

gained how will I get it

that's the question that the actor asks

now the question of how it's gonna

happen is irrelevant so there's a

distinction we're asking how will you

get it so if you want to become a doctor

you need to go to school and then you

need to pass the tests and then you need

to go and do all the steps that's what

how you will get it there's usually a

general step when you look at anybody

that's become and done anything you can

look at the steps that they went through

as an example that literally tones you

into that turn Tunes you into that

vibration of what happened and then what

do you need to overcome and don't I

would say for reality creation experts

you don't want to focus on this as in

these problems can't be overcome just

assume they will be overcome so what is

it that you need to overcome because

that guides your motivations and then

and I would add on what using the stick

I would add on to that is assume what it

feels like when they are overcome so

using this technique and with this

little modulation I think we have a good

working way of creating a character

number eight would be what does it feel

like when you overcome it that's all so

here's a quick guide that I found on how

you can use the Stanislavski system or

method read the script carefully of

whatever it is so your we're gonna talk

about scripting in a second and that's

going to be part of our third step which

is imagination

so using this they would tell the actor

to read the scripts to get a good

understanding of the character's

motivation needs and desires so when we

when we script at the end we're gonna

script this in the same way as if we're

reading the script but we're gonna

create the script that's why this next

step creation is important actors using

this method are becoming the

roll but I want you to be able to create

your role so the next step is working

out how the character would behave in

situations and how they would react so

whatever it is that you want to create

those two questions how would you behave

and how should they react your

characters objective is what what they

want and obstacles are the things that

stand in their way of achieving their

objective and also how far they will go

to achieve their objective break the

script down into beats or bits so take

the script when we're when we do this at

the end you're going to take the script

and you're going to break it down into

parts and these are the individual

objectives of your character and may be

as simple as going into a room then

determine your character's motivation

for this action why would they go into

the room this in turn helps you to

portray the emotions that the characters

experienced whilst you complete the

objective it's that question of the

magic question of if if an actor's job

according to Stanislavski is to be

believable in unbelievable surroundings

and so you need to learn how to become

to imagine unbelievable surroundings

that are wonderful and make them

believable to yourself to help achieve


Stanislavski created the magic if what

would I do if I found myself in the

circumstance so out there there is a

reality for you that exists right now it

may be physical but it has energy it is

a real thing and if you take a moment

and you ask yourself if and your

imagination starts to create scenarios

that is where the power begins what

would I do if I found myself in this

circumstance the magic if simply

involves an actor putting him or herself

in the characters shoes within a certain

scenario and asking the question how

would I react if this happened to me

so start going into momentary bits and

pieces of whatever it is you're wanting

to create and start to ask yourself how

would I react this simple question an

actor can understand the thoughts and

feelings that they need to portray for

each scene or beat so what you need to

do is you need to tune in to how you

would react in the reality that you want

fulfilled the next part of this is the

the exercises for the magic if and he

had many exercises to test this and

these exercises may be helpful as as

tools to to learn how to manifest in the

same way as practicing in a martial art

where you would go through the motions

that practicing builds up that creation

muscle that muscle that opens up the

fabric of space moving you in -

delicious realities beyond anything that

you can imagine as I like to say in

every episode beyond anything that you

can imagine so what they would do is

they students would form a circle if

they were together and choose an

everyday line of dialogue do you fancy

going out for dinner tonight and pass

the dialog around from one to another

and the first person must be as natural

and as real as possible as it passes

around the circle it should become more

unrealistic then change the line and

reverse the process this exercise

highlights the difference between

natural delivery and exaggerated an

untruthful delivery so I would take from

this particular exercise that you should

figure out what would it by determining

what is not realistic and how you would

respond you will then be able to figure

out what is realistic and how you would

react to something

another thing he an exercises you were

walking through you use your memory to

create these senses walk around the

space as if and he's talking about

walking around and walking through as

physical things to as a as a exercises

techniques in this acting exercise so

walk around a space as if you're walking

through water literally get up and if

you are walking through water

how would you walk this is a good

exercise and then once you get a chance

to tune into how would you walk there is

a way that you would walk in this new

reality you need to tune into that so

learn how to differentiate your walk so

another extra sour kraut as if you're

walking through fog or walk around is if

you're walking through mud walking on

ice or walking with a sprained ankle

that those are some interesting

techniques to work on acting now you

don't want to do the sprained ankle for

too long because this stuff is powerful

so act out you're getting ready to go go

to a party and you're in a hurry what

would you do if the power is suddenly

cut that's a scenario that he have us

techniques to practice or you're at the

checkout with week's worth of shopping

what would you do if you realize you

have no money

what would you do do if you realized

that the the person in front of you

didn't have money what if you do what

would you do if you realized you had

enough money to pay for both you can

turn up for dinner with a friend you

haven't seen for ages what would you do

if you discover she's engaged to your ex

who you're still in love with or if your

imagine being engaged to that person one

of the things that you can learn by

exploring realities is the feeling of

realities that you don't want if you're

able to do it

playfully and like flee you can just

kind of go through the scenarios and you

can figure out what is best and so you

it will help you to act out what it is

that you want and so there's different

ways that you can do this and the

benefits of finding out the obstacles is

also talked about in the Stanislavski

technique but the point is understand

your intentions

now the next step I would say in acting

beyond this is your identity your

identity who you are defines your every

action it defines what time you wake up

what time you go to sleep what you read

what you do what you eat who you worship

every single thing that you do your

identity does you need to learn to play

and become elastic with these identities

going beyond just acting but learning

how to change your identity what is the

identity that you want to take on that's

the question

what is the identity that you want to

take on these techniques might help you

to act out the role the point is once we

go through the next two steps that you

want to do more than just think about

this stuff you don't to do more than

just script out this stuff

you have to act it out you have to act

it out look at the examples of these

great actors you don't need to be an

actor but you need to learn how to act

the role of the reality that you want to

live so the next step that I want to

talk about is creativity and there's

some incredible things that you can do

with creativity it's amazing

what happened to me and I'll give you a

little story that ties up though the

first two I wanted to paint and it was a

tough time my father had passed and I

wanted to paint I made it a simple

intention and while I was sleeping I had

a dream and I think you might be able to

create intentional dreams but I had a

dream that I had already been a painter

for 30 or 40 years and I had tried every

technique and I had gone to the process

I felt the joy and the pains of creation

and going through it and and the energy

that I would spend on it and I it was

this was something that I did every day

it was a part of me it was part of my

breath it was the same as a bowel

movement when I woke up and so I then

began to paint and my first paintings

weren't that great but I quickly learned

and adjusted and moved and and the more

I focused on painting I began to be able

to paint faces and stars and galaxies

and Ibn to take chances and paint stuff

that didn't make sense and abstract

stuff and go through the process of

painting and then I just found the joy

in creation the joy when you have

something that you create and you can

put it up on the wall it doesn't matter

how perfect it is but you created it

and that's the thing that some entities

wish they could have they may be

all-knowing and all-powerful out there

but the thing that we can do right now

living in this moment breathing this

breath as humans in this dimension is

that we can create and you can create

right now and I want you to open up your

mind to become a creator to become

somebody that creates your reality that

projects your reality instead of

reacting to it one of my favorite books

the a whack on the side of the head

gives 10 steps on how to open up and be

more creative and so I wanted to go over

some of these steps the 10 steps in

order are the right answer that's not

logical follow the rules be practical

play is frivolous that's not my area

don't be foolish avoid ambiguity to err

is wrong and I'm not creative that's the

names of the sides so the first one is

the right answer and so that the key is

life can be like a big noisy party with

people talking music playing glasses

clinking but even with all of this noise

it's possible for us to understand the

person across from us or the 130 feet

away that's because our attention is


we can tune into certain things and tune

out others so see for yourself take a

look around where you're sitting and

find four things that have red in them

go ahead

and do it with a read mindset you'll

find that read jumps right out at you a

red telephone book read in the blister

on your index finger read in the

wallpaper and so on similarly when you

learn a new word you hear it eight times

in the next three days and like fashion

you've probably noticed that after you

get a new car you see that makes

everywhere that's because people find

what they're looking for if we look for


we'll find beauty so if you look for

creativity you can find creativity just

like if we look for conspiracies will

find conspiracies it's all a matter of

setting our mental channel so I want

with this recording I'm activating that

creative channel with the guidance I'm

giving you by the time that you're done

listening to this episode you're going

to be more creative I've built it into

the music that we're playing I've built

it into the message that I'm giving you

and you're gonna feel yourself changing

and how you think because what you focus

on you get more of and you can focus on

creativity and I'm gonna give you an

exercise at the end that is so powerful

that I love that I've used and that I'll

take the challenge and I'll start with

this one if we can all take the

challenge and the question is can you

take the creativity challenge

where do we learn how to set our mental

channels you know one important source

is our formal education and a lot of

times our education takes away our edgy

art our creativity it's there that we

learn what's appropriate and what's not

we learn many of the questions we use to

probe our surroundings we learn where to

search for information which ideas to

pay attention to and how to think about

these ideas our education training gives

us many of the concepts we use to order

and understand the world


so the question is sometimes the right

answer can bring you the wrong result so

what you think is the right answer what

you program into yourself is the right

answer will be bringing the wrong result

there's a there's a story of Count Basie

who's playing piano and that was broke

and he said I'm not coming back until

you fix it and a month later he gets

calling he says they we fixed the piano

and so he shows up and it's still out of

tune it still songs terrible and he's

like you said you fixed it and he was

irate and the person said I did I got it

painted not understanding that the

problem was the tuning of the piano and

so the practice of looking for the right

answer and have serious consequences in

the way we think about and deal with

problems most people don't like problems

and when they encounter them they

usually react by taking the first way

out they can find even if they solve the

wrong problem like the nightclub owner

in this story this can be dangerous if

you have only one idea you have only one

course of action open to you and this is

quite risky in a world where flexibility

is the requirements for survival that's

why creativity is so important an idea

it's like a musical note in the same way

that a musical note can only be

understood in relation to other notes

either as a part of a melody or chord an

idea is best understood in the context

of other ideas if you have only one idea

you don't have anything to compare it to

you don't know its strengths and

weaknesses nothing is more dangerous

than idea when

the only one we have so we need to open

open ourselves to multiple ideas we

can't get stuck in the same way of

thinking and see things outside of our

focus the second thing is the second

right answer


one person I was talking to that ran a

company that was having problems he had

a group whenever they would come

together with an idea they would only

bring him one idea and so the question

is that he was asking me is how do you

go and take take away this one idea

tendency it's often the truth that

second and right answer which is

although offbeat or unusual is exactly

what you need to solve a problem in an

innovative way I guarantee you companies

like Google and Amazon have think tanks

to create multiple ideas when they go

through this and so it's it's one of

those things that you need to consider

to expand your creativity one technique

for finding the second right answer is

to change the questions you use to probe

a problem for example how many times

have you heard someone say what is the

answer or what is the meaning of this or

what is the result these people are

looking for the answer and the meaning

and the result that's although fine just

one if you train yourself to ask

questions that solicit plural answers

like answers or meanings or results you

will find that people will think a

little more deeply and offer more than

one idea what are the ways you can

create a rarely not not what's the way

what are the different avenues the best

way to get a good idea is to get a lot

of ideas so you need to go through a

phase in reality creation where you come

up with a lot of ideas for your for your

future you need to feel this in your

heart so your heart can communicate with

your mind your mind can give the heart

more opportunities in the heart will

better feel out what those opportunities

are you can work in unison once you have

that coherence that is going to be


the heart is the creative part the one

that's genuine creativity that is


the best way to get a good idea is to

get a lot of ideas inventor ray Dolby

has a similar philosophy he says

inventing is a skill that some people

have and some people don't but you can

learn how to invent you have to have the

will not to jump at the first solution

because the really elegant solution

might be around the corner an inventor

is someone who says yes that's the way

to do it but it doesn't seem to be the

optimum solution then he keeps on

thinking when you look for more than one

right answer you allow your imagination

to open up for example how do you keep a

fish from smelling cook it as soon as

you catch it freeze it wrap it in paper

leave it in the water switch to chicken

keep a count around burn incense cut out

to cut its nose off one tink technique

for finding more answers is to change

the wording in your questions if an

architect looks an opening between two

rooms and things what type of door

should I use to connect these rooms

that's what she'll design a door but if

she thinks a passageway should I put

here she may design something different

like a hallway or a tunnel or perhaps a

courtyard different words bringing in

different assumptions and lead your

thinking in different directions the

next thing is to forget your assumptions

how often do you interact with people on

Facebook that come to you already

knowing that that the truth and what it

is they don't have any inquisitiveness

there they come to you having this idea

that they believe they understand the

world completely and they use these

assumptions to define their reality in

546 BC closest their last rule of the

Lydian Empire consulted the Delphic

Oracle for ideas on how to deal with the

Persians he received this prophecy if

you attack a great Empire will be

destroyed Carosa s-- took this as a

positive sign and led his army against

the persians assuming that you destroy

their empire instead he was soundly

defeated and it was his empire that was

lost he assumed he assumed the great

empire would be destroyed but it was his

own be careful of how you read signs and

what the assumptions are be open to the

possibilities colored puzzle makers

delude would-be puzzle solvers with

confusing clues and politicians lead

their constituents astray with ambiguous


we get misled in our interpretations of

these situations because our own

assumptions work so well for us

one way to work around our assumptions

is to ignore or forget the initial right

answers that come to mind when we're

faced with a problem we've seen before

we can then seek out other right answers

as the novelist Henry Miller put it my

forgettery has been just as important to

my success as my memory

a similar approach that you can use

employed by Paul round when ever he was

working on a design that didn't feel

quite right to him Moran would remove

his favorite part of the design

sometimes that would improve the design

sometimes the design would fall apart

but Rann felt the strategy gave an

opportunity to consider alternatives

taking away the assumption that you

think you know in this metaphor the Sun

represents this dominant feature of a

situation some examples annoys that

drowns out other sounds

a player who outshines his teammates a

strong spice that overwhelms the others

flavors in a dish or an activity that

leaves no time to do anything the

evening stars represents the less

obvious aspects of that situation we

don't see them because the Sun is so

bright but when there is no Sun these

stars become visible and we become aware

of other sounds other players other

flavours and other activities this same

Sun and stars pattern applies to how we

think about problems if we have a strong

set of assumptions about a situation

we're less likely to think of

alternatives so what's happening is our

assumptions become like looking at a sky

when the Sun is up and we can't see

those stars it's that powerful so be

careful of your assumptions even when

you know they're right and I'm gonna do

the same

there's a story about the Sufi judge for

the right answer two men had an argument

to settle the matter they went to a Sufi

judge for arbitrator the plaintiff made

his case he was very persuasive in his

reasoning when he finished the judge

nodded in approval

that's right on hearing this the

defendant jumped up and said wait a

second judge you haven't seen or heard

my side of the case yet so the judge

told the defendant to state his case he

too was very persuasive when he finished

the judge said that's right then the

clerk of the court heard this he jumped

up and said judge they can't both be

right the judge looked at the clerk and

said that's right the truth is all

around you what matters is where you

place your focus the next thing to know

is is logic and that is what it limits

your creative abilities sometimes you

take what you believe to be logic and

that limits your creative juices and

possibilities that are available to you

there in the creative process there is

the imagination and you need to let go

of the logic yes you need to have

practical thinking but there's a phase

that you should have the imagination

phase and we generate and play with

ideas and in this practical things we

evaluate and execute them to use a

gardening metaphor the imaginative phase

sprouts the new ideas in the practical

phase cultivates and harvests them so

you can have both but you need to have

this phase


the next thing is rules of the game and

if you sometimes you apply rules and the

rules that you use create patterns that

end up affecting your own creativity

challenge the rules if somebody says

this is not how it should be this music

shouldn't sound like this this these

this art shouldn't look like this you

hear that and that is just limiting your

creativity if you want to go do

watercolor in a certain way and somebody

says that's not how watercolor works

that is the most ridiculous thing that

you can do there are no rules for what

you create you can create anything that

you want there are no rules so that is

the thing that I see is that when we go

through the process creation we think

that we are supposed to do it a certain

way I'm not advocating that you do

anything illegal or moral most of the

rules you follow however aren't written

down in some manual or a book of legal

statutes in other words they're

unwritten rules such as the way you go

to work who cut your hair the type style

you use how is your business forms or

design what you say to people in the

elevators where you buy groceries unless

you challenge them you won't be more

creative the rules that tell you about

your habits on a daily basis and there's

always that sacred thing that you that

you have that you don't want to talk

about or that limits what you do or talk

about maybe it's a topic or subjection

take a risk and forget about what other

people think and slay it those rules the

only rules is the rules you have for

yourself the next thing is the idea that

you have to be practical exercise what

would happen if gravity stopped for one

second every day what would things be


what would land surfaces look like how

about oceans and rivers how about life

how would life have developed under such

conditions human beings occupy a special

niche in the order of things because we

have the ability to symbolize our

experience our thinking is not limited

to the real and the present this

capability and powers are thinking in

two major ways first it enables us to

anticipate the future we are able to ask

ourselves suppose it rains tomorrow what

would happen to our picnic what

alternative arrangements should be made

by simulating such possibilities we can

plan for the future second since our

thinking is not bound by real-world

constraints we can generate ideas that

have no correlate in the world of

experience just like I said with that

exercise in gravity the realms of

possible our imaginative sea bed there's

there many good ways to cultivate this

ask the question what if ask it go

through a scenario and you want to see

what happens in a meditative state asked

what if simply ask what if and then

finish the question with some contrary

to fact condition idea answer the

question go through what if people had

edible clothing

what if the earth had no moon what if

human beings always told the truth the

what-if question can be whatever you

wish the nice thing about what if a is

that it allows us to suspend a few

assumptions and get into an imaginative

frame of mind what if we elected our

officials by lottery or what if human

life expectancy were 200 years what if

people carried their homes and property

on their backs like Turtles what if when

you looked in the mirror there became

two of you

what if animals became more intelligent

than human beings what if the price of a

barrel of fresh water and barrel of

petroleum were the same what if we had

seven fingers on each an these questions

all develop our that imaginative part of

us where we're imagining worlds that

don't really exist that are outside of

the rules these what-if questions

imagine how other people would do it

once you know their identities how would

George Clooney say this how it Ben

Affleck say this now with Tom Cruise say

this for Churchill or Machiavelli or da

Vinci or Mother Teresa or Jesus of

Nazareth or Wonder Woman the Godfather

Homer Simpson Sigmund Freud imagine all

the different identities go through how

others would do something for example I

suppose you're the principal of a high

school what if someone with a mindset

like Walt Disney had your job how would

he approach it what things would change

for one thing there might be more

emphasis on graphics and visual learning

students would learn through experience

they might study the Civil War by making

scenes of different battles they would

learn history by pretending they were

the characters they were studying

imagine the playground students would

learn physics and engineering from

building rides for the school the model

would be if you don't take risks you

won't achieve what you want

imagine your idea another technique is

to imagine the idea that you're trying

to develop for example suppose you're

trying to improve the design of a

toaster what would you like to actually

be a toaster

how would you receive the bread what

would it be like when your heating

element goes on what happens when seeds

fall to the bottom what's it like to

cool down if you wanted to change the

parking meter how would you change it

it's fun to speculate on things like

that the what-if question becomes a

stepping stone they may not produce

ideas and may be and thus it may be

necessary to use another thinking tool

the stepping stone the stepping stone

are simply provocative ideas that

stimulate us to think about other ideas

stepping stones may be impractical or

improbable but their value consists not

in how practical they are but and where

they lead our thinking in the

imaginative phase of the creative

process it sometimes happens that an

impractical idea leads to a practical

creative one the following story is a

good example several years ago an

engineer at a large chemical company

asked the following question what if we

put gunpowder in our house paint the

people around him were somewhat taken

aback but the engineer continued have

you ever noticed that what happens to

paint after it's been on a house for

five or six years it ships in cracks and

it's very difficult to remove there has

to be a better way to get it off if we

put gunpowder in our house paint we

would blow it off the house the engineer

he had an interesting idea but it had

one drawback it wasn't very practical

the people who were listening to this

however did something very much to their

credit they didn't evaluate its idea on

the basis of practical merits on the

contrary they approached it as a

stepping stone which might lead them to

a practical creative solution and they

thought what other ways are there to

create a chemical reaction that would

remove the old house paint and this

question opened up thinking and

eventually led to the idea of putting

additives in the house paint these

attitudes would be inert until another

solution containing the other additives

were applied to the old paint at a later

date at this point a reaction would take

place that would cause the paint to

strip right off the company went on to

make such a process a reality

the next thing to learn about creativity

is play learn how to play play is what

you do that is how you go through the

process of creativity that's how you

imagine events during what kinds of

activities in situation do you get your


isn't it during play for example doing

routine work as a response to questions

during physical exercise late at night

driving in the company the the ideas

that you get when you play play a game

play anything is amazing and the results

of it are pretty awesome play if

necessity is the mother of invention

then plays the father use it to

fertilize your thinking the next time

you have a problem play with it if you

don't have a problem take time to play

anyway you may find some new ideas try

adding a constraint or to play around

with these ideas

another thing about creativity is to

take breaks by relaxing you would

stimulate another side of your mind

which allows for ideas to come through

meditation and breaks are very powerful

a lot of what happens is another thing

to think about is the idea of that's not

my area and that is that some people say

they're an engineer but they they can

see a solution to something that's

outside of engineering and so they don't

go further because they say that's no

that's not what I do but that's not what

I do that's not my area

you can't take a situation and ever

claim that anything is not your area

because you have infinite capabilities

and possibilities to access whatever you

want and want some of the coolest things

that have ever happened is when two

different things get crossed together

I'm great exercises take two completely

unrelated songs and put them together or

take two completely your unrelated story

ideas and try to put them together when

you get things that are unrelated and go

through the process of trying to put

them together some incredible things end

up being happened and end up happening

another thing is exploration explore

things be willing to be led astray look

for the obvious allow yourself to be led

astray if you discover something

anomalous or the unusual use it as a

stepping stone to something unexpected

see the obvious when you're looking for

ideas information and rescues be sure to

take a note of what's right in front you

the king sent for wise men all to find a

rhyme of 4w when they had thought for a

good long time but could not think of a

single rhyme I'm sorry he said he to

trouble you


it's okay in the process of creativity

if you're foolish if you make mistakes

to be aware of conformity be aware of

nonconformity and the benefits of

conforming groupthink and the way that

that works and understanding it be aware

of the way the pendulums are affecting

your own creativity pendulums do not

want to you to be creative they want

your creativity to come from them they

will put you in the creative mindset

through them so be aware of thought

structures of more than one person a

pendulum is a thought struck or more

than one person be aware of these of

groups of people that have expectations

or ideas for you laugh at it find humor

in it don't be afraid of ambiguity or

paradox listen to your dreams

it's okay to make errors and the biggest

thing about creativity is that remember

when you when you get an A you can still

be wrong on 10% of what you do

understand that that educational process

allowed us started us to think that we

couldn't couldn't be wrong or couldn't

miss think about baseball where where

they're successful only 30% of the time

there's gonna be hits and misses with

your ideas and you can't be afraid of

failure failure is not bad every failure

is going to lead you to a greater idea

failure and fear of failure can restrict

your creative abilities never become a

self-fulfilling prophecy the final thing

the 10th thing is never to convince

yourself that you're not creative I'm

not creative those words ever come out

of your mouth you need to question them

I've heard somebody say hey I'm not

creative that's just don't ever say that

you are creative you created yourself

you're a pretty incredible creator but

that becomes a self-fulfilling prophecy

and don't create those self-fulfilling

prophecies discover your own creative

style don't out evaluate other people

and how they create just make it your

intention to create and what I'm going

to do is give you this exercise and I

want you to I'm going to challenge you

if you can do this

then it's gonna change your life and

that is create something for the next 30

days and if you skip a day you have to

start over and it can be literally if

you draw a line on a piece of paper or

make a stick figure you intentionally

created something if you put three rocks

together whatever it is you make a

recipe if you look at something and

you'll you'll realize when you create

something when you're when you switch

that mode on it's gonna be amazing

because I ended up painting doing this

process some incredible paintings that I

really didn't worry about what anybody

else thought and it and it was very fun

and I was able to do some writing and

some credible things it leads to like a

wave of fortune where you build and move

into these larger come these larger

waves of creativity and these waves of

creativity will open up new

possibilities for your realities that

you didn't even think possible or even

imagined or that you didn't consider and

so for 30 days just create something

everyday get into a creative mode and

and and find blessing and joy in each

creation just take a moment with each

one and really find some pleasure in it

get into a mode where you were looking

for the pleasure of creativity because

creativity can bring you vast and

incredible pleasure and it cost nothing

tune in to this pleasure and once you

get into it it will last for a lifetime

and so the final thing I wanted to talk

about of these three steps is the

imagination now I talked a little bit

about how to use the imagination by

neville goddard

in a previous episode

I definitely look for the links in this

in the notes of this then you'll find

that or just look at my channel and

imagination is you're not really

imagining that something in many ways

you're tuning into a reality that's

possible and you're seeing in your

mind's eye but using this concept of

imagination I wanted to give you a

technique that Frederick Dodson uses

that is just amazing and I wanted to

read some passages from him I did ask

him for permission if I could read some

because I believe that Frederick

Dotson's technique for imagination in

combination with creativity in

combination with acting we use these

things remember I said at the beginning

that you had to look at the script and

the way you break broke down the script

well there is a power in actually

creating your own script for your life

if you read the book to fatigue the

priestess by vitam zealand he talks

about that we are all have a choice of

an eternal number of scripts and there's

a library of scripts before us if we

access that point in our reality we can

load up an entirely new scripts but I'm

going to tell you something that's just

as powerful and that scripting you can

see mention of it by several big-time

Law of Attraction gurus on several

different channels jake ducey said

claims that it's the reason for his

success and more and more I'm seeing

that it's the reason for mine and I have

not even put in the time that they have

as Frederick Dodson says in his book

reality creation and manifestation a

terrific book

the power of scripting and Frederick

Dotson says one of my favorite and most

effective reality creation techniques of

the years has been scripting the term

scripting or originates with the law of

attraction teacher Abraham Hicks my

personal version of the technique which

somehow differs from others works like

this you write about or script a scene

from your desired end result or wish

fulfilled in the past tense as it has

already happened you write until you

feel much better about whatever it is

you were thinking about scripting is

essentially written imagination it's

written imagination its purpose is to

improve your emotional state in the now

and to modulate your thoughts to become

more magnetic to experiences you'd

prefer you can script anything you would

like to experience and by doing so you

will start to draw that experience into

your reality Dotson goes on to say I

will write on a topic I want to create

for 10 to 15 minutes a day I will do so

until it manifests or is obviously in

the process of manifesting the main idea

is to relocate your consciousness to the

place in which the thing you want has

already come true if you would like to

have a certain amount of money you might

write a scene from your dream job or

about assigning a special deal or about

purchasing specific things or you might

describe your new house or state of

being when you have that money if you

would like to have a certain

conversation outcome with a person you

would script that conversation in detail

the way you want it to occur in the case

of scripting conversations or desired

emails using the present tense instead

of the past tense is better because it

more clearly reflects what the manifest

reality will sound like if you want a

specific relationship you would write

out in detail scenes from that


if you want improved health you would

describe your life and body in as

perfect state of health the more detail

you put into your script the more you

feel it's reality

you should script it every day until

it's easy for you to think and feel in

those new terms some people ask me or

Dodson says how long it takes before

something manifested in this way do you

understand that once you get into an

emotional state and the mood of the wish

already manifest such questions don't

matter some things have taken one or two

scripting sessions my longest scripting

session took seven months it was a

rather difficult reality to manifest so

I wrote about it for seven months almost

every day taking a few days break now

and then until it began to materialize

in my life if you enjoy the process of

shifting your emotions and training or

imagination the question of how long it

takes does not really arise being

bothered that something is not yet

manifest merely indicates that you have

more writing to do because you are not

yet properly aligned with the wish

fulfilled your faith in the reality you

want to create may wane sometimes

throughout the process but that again is

just an indicator to do some more

writing on it a true reality creator

sticks with the process until what he is

focusing on comes true some people have

asked me whether there should be a

letting go phase during the scripting

process my experience has been that let

the letting go part arises naturally as

a consequence of you being full of

whatever it is you focused on you feel a

reality so manifest and real that you no

longer feel

the need to focus on it that much in

other words if you already had the

million dollars and truly felt that you

would no longer be focusing that hard

scripting should be done in a playful

non rigid manner the state of the wish

already fulfilled is liked not rigid and

over focused moreover if you script

about a goal for 15 minutes a day the

rest of the day already constitutes the

letting go part of manifesting well

weight riding you totally immerse

yourself into the end result for the

rest of the day you let it go and it's

not important he's what he's saying he's

there really is no limit how long you

can or should script use slight

exaggeration in your script so that you

can actually feel the joy you would be

feeling if the scene were already true

that's a passage from chapter 2 of

Frederick Datsuns reality creation and

manifestation and it's a wonderful book

and I recommend that you check it out

but the idea of your imagination and

living in the wish fulfilled is one

thing but often times it's difficult if

I ask you to sit and meditate on that

sometimes there's some distance between

these things and so Frederick Dodson's

lesson in this book on on scripting

which other people have talked about as

he says Abraham Hicks but I thought the

way he described it was incredibly

helpful create a script for what you

want and then using what we learned in

creativity create multiple scripts and

try to feel what is the best one maybe

the next script is better get into this

habit of analyzing and be coming up with

new ideas and script out and

you will move into an incredible reality

the other thing I would recommend on top

of what Frederick Dodson said using the

lesson that I learned from that from

that teaching by neville goddard about

how to use your imagination is that at

night he would go to bed and then say

reese crypt your day so go back for the

day and script out your day as if you

wish it had been so if he got something

the mail that you want didn't want

somebody said something that that you

didn't want just to Reese crypt the day

out like you like it didn't happen so

what I'm saying is write it out write

out a script of something that happened

so that it happened opposite feel it

move into it so go into a process of

Reese crypting your past and scripting

your future and then try to go through

an elaborate process of becoming

creative and then use these processes to

act in what you want using the

Stanislavski method using the techniques

we learned on how to act if you combine

these three things you have lightning in

a bottle to create realities this gives

you all the tools and ways to focus in

on realities that are available to you

the only way you can access this

information if you want to just access

the information and check out my the

episode on psycho man see but if you

want to experience these realities then

you have to act as if and you need to

learn to become an actor using the

method of acting and look at the

different motivations of acting and then

you need to become creative there may be

aspects of that acting that you don't

know about or aspects of realities that

you want to create that you're just

learning or solutions to your problems

or whatever become creative look at

these blocks and things that we've

discussed so far

and be aware that you can change

everything so let's summarize this what

we've learned and so that we can apply

this using what we learned from the

sound Slav ski method you want to go and

learn how to act how to physically act

out using different situations but these

are the questions to start Who am I

where am I

when is it what do I want why do I want

it how will I get it

what do I need to overcome and how does

it feel to have overcome them those are

the things that I want you to go through

it comes to creativity I want you to try

the creativity test to become creative

every day intentionally creative

remember these teachings that the first

right answer isn't always the best

answer but you don't have to use logic

you don't have to follow the rules you

don't have to be practical you can play

with these ideas don't limit your

knowledge and expertise by saying it's

not your area don't be afraid to be

foolish don't be afraid to what other

people think

don't worry about being ambiguous and

it's okay to make mistakes and never

tell yourself that you're not creative

you are the most creative you are the

creator and you can create any reality

that you want right now not ten years in

the future right now and if you apply

these techniques and you create an

identity using these techniques and you

shift it and work on it and script it

out every day by using your imagination

you will move into a reality that you

have imagined that is so wonderful and

so incredible and you're gonna remember

that you listened to this episode and

that's where it all began because right

now I'm giving you the key if you follow

these lessons you can access any reality

it is the key to accessing parallel

realities you will see your reality

shift in a way

it is beyond anything that you can

imagine the best thing I can tell you is

to just try it what if I'm telling the


I thank you for joining me in this

lesson I'm really glad I got this into

an episode I've always wanted to talk

about these three topics together and I

really do want to explore more ways of

learning how to act I want to expand on

ways of learning how to be creative and

I want to expand on ways of how to use

and script and expand our imagination in

the way that we've talked about

scripting is the technique to do that

and there are other techniques that we

will explore for all episodes of the

reality revolution you can go to the

reality revolution comm for coaching

please check out advanced Success

Institute calm

thanks to Metaverse for the awesome

music and welcome to the reality